Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Ibi Aanu Zoboi continues this haunting short story.
Read part two of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor M.J. Fievre continues this haunting short story.
Kaylie Jones interviews Laurie Loewenstein, whose debut novel, Unmentionables, launches Akashic’s new Kaylie Jones Books imprint.
The New York Times has named USA Noir (edited by Johnny Temple) an Editors’ Choice pick and given the anthology a stellar review!
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir 2: The Classics contributor Roxane Gay kicks off this haunting short story.
To celebrate the release of Colaterales/Collateral by Dinapiera Di Donato, winner of the National Poetry Series’ Paz Prize for Poetry, we asked Ricardo Maldonado, the translator of Colaterales, to talk about his process and his experience with the collection.
Stephanie Stio discusses the creation of the Paz Prize for Poetry and the selection of the prize’s inaugural winner, Dinapiera Di Donato’s Colaterales/Collateral.
To celebrate the November publication of USA Noir, we asked contributor Maggie Estep to write about her experience with this Best of the Akashic Noir Series anthology.