Launched in 2004 with Brooklyn Noir, our award-winning city-based Noir Series now has over 60 volumes in print, with many more to come. Each volume is overseen by an editor with intimate knowledge of the title city; each story is brand new from a local author, and each is set within a distinct neighborhood or location.
While we’ve been thrilled to publish the original works of over 800 authors in the series, we still long for more. And while we are constantly seeking homegrown editors with native knowledge of national and international cities not yet visited by the series, we’re eager to dig deeper.
Mondays Are Murder allows us to offer a glimpse of cities not yet seen, neighborhoods or hidden corners not yet explored in previous volumes, and, we hope, writers not yet exposed to our company. Contributions to the Akashic Noir Series are bound by mood: our authors are challenged to capture the sometimes intangible moods of “noir” and of “place”. The stories run the gamut from darkly-toned literary glimpses to straight-up crime fiction, while similarly capturing the unique aura of the story’s location.
Our web model for the series has one further dimension: A 750-word limit. Sound like murder? It is. But so are Mondays.
I was running a dust cloth across the top of the glass display case housing my most prized first editions—Hammett’s The Dain Curse and Christie’s Perilat End House among them—when the bell above the door jingled and a middle-aged man stepped into my used bookshop in Philadelphia’s Spring Garden neighborhood. His cashmere trench coat made me hopeful for a big sale, but the ratty Yankees cap and knockoff sunglasses he didn’t remove gave me pause . . .
Marco was always pretty smart for a drummer. He knew the record shop wouldn’t be open at three a.m., so he headed straight for the back door . . .
“Can you say something nice about this place?”
My left wrist is throbbing like a siren so I barely register Jackie’s request. She’s the tour’s PR lackey, in charge of pushing me through the subterranean bowels of the Home Depot Center to my press conference . . .
I’m standing here beneath the palms surrounded by six police officers, all of them with their guns drawn, all of them pointing at me . . .
Never take a job in summer—that’s rule one. Rule two is never trust anyone. They have that rule all over, but rule one, that’s my thing. No one thinks straight in summer. You can’t rely on anyone after November . . .
Elizabeth heard the door bang and footsteps clatter in the kitchen. She was relieved that it was not her daughter’s gait. This was another teenager. A girl holding a gun. Dear God, where did these children get these weapons? What possessed them? . . .
I was halfway through a draft of a blistering sermon on Romans 1:18 when I was startled by a scratching at my office door. My staff and parishioners knew to leave me alone on Thursday afternoons. I looked up to see a vision in turquoise . . .
An explosion of splinters stabs up his spine. Carrick’s eyes shutter open. Where the fuck am I? . . .