Mondays Are Murder: Original Noir Fiction to Get Your Week off to a Dark Start
Launched in 2004 with Brooklyn Noir, our award-winning city-based Noir Series now has over 60 volumes in print, with many more to come. Each volume is overseen by an editor with intimate knowledge of the title city; each story is brand new from a local author, and each is set within a distinct neighborhood or location.
While we’ve been thrilled to publish the original works of over 800 authors in the series, we still long for more. And while we are constantly seeking homegrown editors with native knowledge of national and international cities not yet visited by the series, we’re eager to dig deeper.
Mondays Are Murder allows us to offer a glimpse of cities not yet seen, neighborhoods or hidden corners not yet explored in previous volumes, and, we hope, writers not yet exposed to our company. Contributions to the Akashic Noir Series are bound by mood: our authors are challenged to capture the sometimes intangible moods of “noir” and of “place”. The stories run the gamut from darkly-toned literary glimpses to straight-up crime fiction, while similarly capturing the unique aura of the story’s location.
Our web model for the series has one further dimension: A 750-word limit. Sound like murder? It is. But so are Mondays.
The nurse pulled onto the outer road parallel to the interstate. The blue friendliness of the St. Luke’s sign radiated faintly in the dawn light as he accelerated before the red admonition of the emergency sign took over his view. He clicked off the malfunctioning turn signal. The morning traffic was light, almost nonexistent. He waited until he had reached forty-five miles an hour to remove his skull-and-bones do-rag, the first phase of his elaborate post-work ritual . . .
Late one afternoon, Hazel and I were strolling around the Garrison Savannah, when a little voice called out my name: “Fernando.” When I saw who it was, I was mortified . . .
I woke up feeling cold this morning and the clouds were fighting their way in between the bedroom blinds that were left open in the middle of the night. I found my body naked and bent and I thought about Nicole duFresne and her star quality blonde hair and blue eyes and perfect teeth and I wondered how her hair and face and body fell onto the concrete ground on Rivington Street after she was shot in the chest by that nineteen-year-old boy . . .
Green Lake in the hour before dawn: Seattle’s beautiful, teeming dark heart, its still surface broken only by the skittering of hundreds of phosphorescent coot feet, its quiet violated only by the self-conscious chatter of female walkers seeking fitness in cautious herds, or the indigestive squawk of a disturbed heron. A headlamped solitary jogger, disappearing into pools of darkness along the intermittently lit trail, then reappearing triumphant, steeled herself for the prolonged period of darkness that awaited her at the lake’s poorly illuminated southern end . . .
They were lying about the weight. Flip worked at the New York Racing Association, and he heard: Fredo here, Maximiliano there, five pounds here, even ten there. They were heavier than their declared weights. And if you knew the real numbers the jockeys were weighing in at, you knew the lighter. The honest jockey had a better chance at winning. Better than better. Flip had been watching all summer from opening day up to the Travers, and he’d been right on the money every time . . .
