Hana Irene Carter is showing her fourteen-year-old Asian-black ass this afternoon. She walks through my house and into my kitchen, ignoring me, her grandmother Irene, and four of her other relatives, only smiling at and kissing Emma, my black sheep cousin, on the cheek. She then opens the refrigerator and takes out a beer. She pops the top, takes a long swig, and burps, looking directly at me with an in-your-face, self-satisfied grin.
Before I can act, Irene is up. She pulls the can out of her granddaughter’s hand and dumps the beer out in the sink . . .
Mondays Are Murder features brand-new noir fiction modeled after our award-winning Noir Series. Each story is an original one, and each takes place in a distinct location. Our web model for the series has one more restraint: a 750-word limit. Sound like murder? It is. But so are Mondays. This week, Siobhan Lyons takes us back […]
Tater. His real name was Willam Francis McKinny III, but he got the name Tater because he was about as useless as a potato on legs when he drank. His best friend Nick Plakowitz named him that soon after the two of them started stealing Jim Beam from Nick’s dad’s liquor locker in the basement that was set up like a pool hall. Nick poured water in the square booze bottle so his dad wouldn’t know.
Tater said, “He’s gonna know.”
“Nah, he don’t want to deal with it. He too busy with that paint business of his.”
Tater shrugged. Nick’s dad never said a word . . .
Are you a parent going through the Terrible Twos? Did you live through them and survive? Terrible Twosdays is a place to commiserate over the unending shenanigans of your Darling Children (as the online parenting communities say). Nonfiction stories will be considered, so long as names have been changed to protect the guilty. Inspired by […]
The wind won’t stop banging the bougainvillea against our fence, and the tap tap tap is beating into my skull. My eyes dart around the bedroom, but all I see are hulking shapes. I know they’re our dresser and bookshelf, but at night they look meaningless.
I was running a dust cloth across the top of the glass display case housing my most prized first editions—Hammett’s The Dain Curse and Christie’s Perilat End House among them—when the bell above the door jingled and a middle-aged man stepped into my used bookshop in Philadelphia’s Spring Garden neighborhood. His cashmere trench coat made me hopeful for a big sale, but the ratty Yankees cap and knockoff sunglasses he didn’t remove gave me pause . . .
