“The court will now pronounce its verdict,” the judge remarked plainly, as if he was going to read out the evening news.
Asghar Khan stood up in the witness box with the anticipation of a man in that twilight zone of hope when the decision has been made but not yet announced . . .
If you’re watching this, I’m dead. But don’t stop. Watch all the way through, and I suspect you’ll know who did it. This is my confession, and his . . .
She always left him, wandering off like a cat without provocation or explanation, returning just as suddenly and without comment after a day or a week or a month. He loved her, but it was hard to keep track of where he stood in her life. He kept her clothes neatly stacked in a chest of drawers and hoped for the best . . .
Now and then, there are moments in a man’s life that offer up complete clarity. They’re rare, and rarer still is the ability to recognize them. It is only the truly intelligent, self-aware man who finds himself in a moment of clarity and actually sees it for what it is—and moves forward in a productive way.
To celebrate the release of The Family Mansion, Hirsh Sawhney asks Anthony C. Winkler about his writing process; what he thinks should be required reading for people interested in the Caribbean; and why writing screenplays is so different than writing a novel.
This month, we’ve released three spectacular novels—Every Boy Should Have a Man by Preston L. Allen, The Family Mansionby Anthony C. Winkler, and the second novel in our Open Lens imprint: The Roving Tree, by Elsie Augustave. We’ve excerpted all three books in our free May Digit, available available in mobi (for kindle) and epub formats.