Read Chapter One of Mr. Loverman!
To celebrate the release of Bernardine Evaristo’s Mr. Loverman, we’re very pleased to feature Chapter One in its entirety!
To celebrate the release of Bernardine Evaristo’s Mr. Loverman, we’re very pleased to feature Chapter One in its entirety!
On the few days out of the year when the range was closed he’d get out the duct tape and stick the PVC-and-wadding suppressor on his Ruger .22 pistol. He’d load it with subsonics. He’d open the window, take out the screen, and throw some empty beer cans out in the yard. Then he’d stand back in the dark of his room and make them dance . . .
Read part six of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir 2: The Classics contributor Roxane Gay returns to finish this haunting short story.
Read part four of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Josaphat-Robert Large continues this haunting short story.
Read part four of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Katia D. Ulysse,Haiti Noir contributor and author of the forthcoming Drifting, continues this haunting short story.
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Ibi Aanu Zoboi continues this haunting short story.
Read part two of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor M.J. Fievre continues this haunting short story.
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir 2: The Classics contributor Roxane Gay kicks off this haunting short story.