We had switched from beer to a pair of hot rums dubbing around in a reporters’ bar across from the women’s prison downtown. Outside it was storming in late-October style, the first chilly rain that gnaws like winter, and from our polished stools we watched the people tilt their umbrellas at one another like blind knights as they passed . . .
“A congressman, a senator, and a lobbyist walk into a bar.” Rich tipped his beer in the direction of the bar’s latest arrivals. “Anyplace else that would be the start of a joke. Here it’s business as usual . . .”
John smashed the Styrofoam cup. No metal spike under there. Did it again. No spike. Two more cups remained. He smashed one of them . . .
Read part four of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Josaphat-Robert Large continues this haunting short story.
The last time we moved was because she said an ex of hers had shown up and zigzagged a razor through her wrists. The time before that she said a pair of meth heads broke in during the day and left her barely living after wrapping a shower curtain around her neck . . .
Read part four of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Katia D. Ulysse,Haiti Noir contributor and author of the forthcoming Drifting, continues this haunting short story.
Read part one of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor Ibi Aanu Zoboi continues this haunting short story.
Read part two of DARK DAYS IN PORT-AU-PRINCE, our Haiti-set noir short story that was written by Haiti Noir and Haiti Noir 2: The Classics contributors in the style of an exquisite corpse, a collaborative writing process in which each author builds a story based upon what his or her predecessors have provided. Haiti Noir contributor M.J. Fievre continues this haunting short story.